Coming to a Theater Near You

clapboard

 

An imaginary business meeting

CAMERA 1 FADES IN
Agent (excitedly): Listen, JB, This can’t lose! Sequels are in–look at them: Star Wars! Men in Black! Marvel Comics! Harry Potter! This is the ultimate! It’s got life and death, skullduggery, and intrigue! If we don’t make this movie, someone else will and they will be the ones to be rich and famous!

CUT TO CAMERA 2 ON JB
JB (skeptically): I know, but it’s incomplete. We don’t know how it’s going to end. It’s missing key plot points to make the story work.

CAMERA 2 PANS FROM JB TO AGENT
Agent (somewhat frustrated): Working in sex is no problem. Part of this will be set in DC and it’s crawling with gorgeous, young female staffers. Even better, we’ll be filming in the south–Southern Belles, no unions, tax breaks, sunshine–it’s perfect.

FADE TO CAMERA 1 WHICH INCLUDES BOTH AGENT AND JB IN THE FRAME
JB (thoughtfully): Why in the south?

Agent: That’s where the “remain in place” directives have been the weakest and will probably be the first to be eliminated. That’s essential to the plot.

Sharp focus on JB with soft focus on the agent
JB:
How are you going to guarantee the . . . .

CUT TO CAMERA TWO ON AGENT
Agent (Interrupting, then leaning forward toward JB): The states we’re looking at are lifting their restrictions early. There’s bound to be a second wave;  we’ve even hired people to protest self-isolation in several states.

CUT TO CAMERA ONE–BOTH JB AND AGENT IN FRAME–FOCUS CLEAR ON JB
JB (shaking his finger at agent): You’d better be right. If the second wave doesn’t have at least 100 thousand dead, I’m going to be pissed! If I’m going to pitch this to the investors, it needs a snappy working title.

CAMERA ONE–SAME FRAME–SHIFT FOCUS TO AGENT
Agent (smugly): Coronavirus–The Sequel

 

 

 

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